Allenheath XONE 62 User Manual Page 23

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XONE:62 User Guide 23
4 XFADE ON. In the up position the music signal
is routed directly to the mix. Press to route the
signal through the crossfader.
5 XY. To route to the left (X) side make sure the
switch is in its up position. Press to route to the
right (Y) side. Either the green X led or yellow Y led
lights to show which side is routed. Both leds are
off if the signal is not routed through the crossfader.
6 XFADE PAN. Adjust to change the balance
between the left and right crossfader output signals.
Use this to correct an imbalance in the stereo
output, or as a dynamic performance effect. For
normal performance make sure the PAN control is
in its detented centre position.
7 XFADE to AUX send. This controls sends the
output of the crossfader to the stereo Aux mix. For
example, you could send the DJ music mix to a
monitor, zone, effect or special recording feed.
Replacing the Crossfader
The crossfader on a DJ mixer is heavily used and
can suffer considerable wear and tear. The audio
design using VCAs prevents clicks and scratchiness
as the fader wears. However, the movement can
become mechanically stiff or sloppy in time, or
become ingrained with dirt. Should this be the case
the fader may need replacement.
The XONE:62 crossfader is removable and can
easily be replaced in a few minutes. Make sure you
order the correct Penny & Giles version from your
Allen & Heath dealer: XONE2:XFADER
Use a medium size cross-point (Pozidriv)
screwdriver to undo and remove the two outer
screws on the crossfader plate. Do not remove the
inner screws. Lift the crossfader assembly up and
away from the console panel. Unplug the cable
from the old crossfader and plug in the new
assembly. Check that the connector is correctly
aligned and pushed on. Replace the assembly
making sure the cable faces the left side of the
console. Refit the screws and test operation.
The VCF Filters
A voltage controlled filter is an audio filter whose
cut-off frequency is altered by a DC control voltage
rather than a variable resistor. This produces a
much wider operating range and more control over
the filter response to create unlimited combinations
of tonal effect.
Each X and Y side of the crossfader is provided with
its own stereo VCF. Each can be switched in or out,
and each has its own frequency sweep control. The
filter type and resonance effect are globally selected
affecting both filters simultaneously.
8 FILTER ON switch. Each X and Y filter has its
own ON switch. The blue led lights when the filter is
switched on. The signal is not affected by the filter if
the switch is in its off position. Use this to punch the
filter effect in or out.
9 VCF SWEEP control. Each X and Y filter has
its own frequency sweep control to adjust the cut-off
point anywhere from low to high frequency.
Rotating the control during performance produces
the dynamic sweeping effects desired by performing
DJs. These large soft touch controls are positioned
either side of the crossfader for convenient live
operation. Separate controls for X and Y mean that
the effect can be applied to each track
independently and faded in as the crossfader is
operated. Note that the filter type and resonance
setting apply to both filters and are not
independently controlled.
10 RESONANCE control. Adjust this to change
the ‘Q’ or ‘sharpness’ of the filters. This affects how
they respond around the cut-off frequency. At the
minimum MILD setting the filters have a gentle roll-
off ‘knee’ giving a subtle, smooth response. At the
clockwise WILD setting they produce a resonant
feedback boost around cut-off resulting in some
very dramatic performance effects. The sound
varies according to the filter type selected. To avoid
unexpected results it is best to start experimenting
with RESONANCE set to a low position.
High RESONANCE settings can result in
significant boost of selected frequencies.
Reduce the channel GAIN if the signal levels
increase enough to light the red PK leds in the
output meters. Failure to do this may result in
system overload and distortion.
LO
0dB
RESONANCE
LO (MILD)
HI (WILD)
MID
FREQUENCY HI
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