Allenheath ML4000 USER GUIDE User Manual Page 26
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26 ML4000 User Guide
MAIN MIX and INPUT FADERS
MAIN MIX. A single switch routes the channel
signal to the 3 output main mix. Its balance and
image within the L, R and C outputs is determined
by the BLEND and PAN controls.
BLEND. This control adjusts the balance between
the LR and C outputs. Fully anti-clockwise all the
signal routes to the LR outputs and none to C. At
the detented centre position the signal routes
equally to the LR and C outputs. Fully clockwise all
signal routes to the C output and none to LR.
BLEND does not affect the group routing. The
control has a 3dB attenuation at centre position.
The stereo channels route stereo to LR and sum
the signal in mono to C.
PAN. Adjusts the balance between the L and R
outputs. It does not affect the C output. At the
detented centre position the signal routes equally to
L and R. PAN and BLEND combine to adjust the
balance between the 3 outputs. PAN also adjusts
the balance between odd and even groups if the
GRP PAN ON switch is selected. The control has a
3dB attenuation at centre position.
IDENT STRIP. Identifies the channel numbers and
provides a write-on area. The use of low adhesion
artist or masking tape is recommended.
MUTE. This momentary action switch turns the
channel signal on or off. Both pre and post-fade
signals are affected unless the pre-fade pre-mute
setting has been internally configured. The channel
can also be muted by the mute groups, VCA group
mutes, snapshot memories (externally controlled)
and MIDI note on/off messages. The switch
illuminates when the channel is muted.
The switch also functions as an edit key when in
EDIT GROUPS, EDIT SAFES or MIDI CHANNEL
SELECT mode. The channel mute status is always
displayed on the switch regardless of mode.
OO
8
VCA
GROUP
30
40
5
6
7
10
20
1
2
3
4
0
5
-6
SIG
10
5
PAFL
0
+6
PK
SAFE/EDIT
MUTE
PAN
RL
=
LR C
BLEND
=
+
LCR
MAIN
MIX
24
- USER GUIDE 1
- Introduction 2
- Contents 3
- Limited One Year Warranty 4
- General Precautions 6
- ML4000 Key Features 7
- QUICK START SHEET 8
- Using LCRplus™ 8
- Using P/AFL : 9
- Problems ? 9
- 10 ML4000 User Guide 10
- ML4000 User Guide 11 11
- Technical Specifications 12
- ML4000-48 = 1961 13
- ML4000-40 = 1706 13
- ML4000-32 = 1451 13
- ML4000-24SC = 831 13
- ML4000-24 = 1196 13
- Connecting the Power Supply 14
- Earthing 15
- Rear Panel Connections 16
- 18 ML4000 User Guide 18
- Gain Structure 19
- Control Layout 20
- System Description 21
- MONO INPUT and EQ 22
- Using the Filter 22
- Using the Equaliser 23
- GROUP / AUXILIARY SENDS 24
- Internal Link Options 25
- Using the GRP/AUX Sends 25
- MAIN MIX and INPUT FADERS 26
- Removing the Fader 27
- Using LCRplus 28
- STEREO INPUT and EQ 30
- Using the Dual Inputs 31
- Using Mono Sources 31
- 32 ML4000 User Guide 32
- PFL/AFL Monitoring 33
- Configuring Groups and Auxes 34
- MAIN MIX MASTERS 35
- MATRIX and 2-TRACK 36
- 2-TRACK SOURCE 37
- VCA GROUPS 38
- VCA Groups Explained 38
- The benefits of VCA grouping 38
- Using VCA Groups 39
- Using PAFL 39
- To Assign a VCA Group 40
- SELECT GROUP TO EDIT 41
- ASSIGN USING CH MUTES 41
- 42 ML4000 User Guide 42
- The Console Monitor System 43
- The Monitor Logic 43
- 44 ML4000 User Guide 44
- OSC/NOISE GENERATOR 45
- INTERCOM 46
- The Intercom Explained 46
- TB TO LR 47
- TALKBACK 47
- The Meterpod 48
- The Console Meterpod 48
- Meter Types 49
- 50 ML4000 User Guide 50
- Channel Mutes 51
- Snapshot Memories 51
- MIDI AFL Messages 51
- 52 ML4000 User Guide 52
- 54 ML4000 User Guide 54
- USER NOTES : 54
- ML4000 User Guide 55 55
- 56 ML4000 User Guide 56
- Visit Allen & Heath : 56
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